![]() I can be impressed, even moved, but I still feel like I'm hearing every note by itself, like I'm just hearing the notes that are on the page, as opposed to something that's transformed. In many performances of this piece, I don't get that feeling. On paper, the piece is extremely repetitive, but Horowitz manages to transform it into something entirely greater, so the constant 16th notes are completely incidental to the music that's happening. ![]() For me, this performance by Vladimir Horowitz of Chopin's "Ocean" Etude is the one that I measure all other performances against: Does that make sense? I'm sorry it's vague, but it's hard to pin down. With all that said - for me, "musicality" is when a performer can take a sequence of notes and rhythms and make it into something more than itself, as opposed to just making it the best version of itself. And there are a whole bevy of non-musical factors that can interpret what you think of a particular performance - the knowledge of who's performing it and subconscious prejudices you might have based on race, gender, age, etc the quality of the piano if it's recorded, the audio quality if it's live, the venue, the type of performance, the way the performer behaves, etc. Sometimes it's more about how you think a piece should go rather than how objectively "musical" someone is being. When you're comparing between two professionals, it's really a lot of splitting hairs and subjectivity. See reddit's content policy for more examples of unwelcome content. commenting on someone's appearance), and the like, are not welcome and will be removed. Comments that contain personal attacks, hate speech, trolling, unnecessarily derogatory or inflammatory remarks or inappropriate remarks (e.g. If you're unsure if your post will be considered spam, please contact the moderators before posting.īe nice to each other. Spam includes posting too frequently, posting mainly links to your blog / Youtube channel, low-content blog posts, etc. No spam, advertising, low-content blog posts, etc. ![]() No generic piano music videos / playlists. Very basic theory/song/other tutorials are better suited to /r/learnmusic. ![]() The amount of Synthesia "tutorials" or beginner song tutorials we get is too much and would overtake the subreddit if we allowed them. No basic tutorials or Synthesia "tutorials". Please provide as much information as possible to foster good discussion. Pictures lacking context or details are subject to removal. Low-effort and meme image posts are better suited to /r/classicalmemes, /r/pianomemes, or /r/musicpics. No low-effort images, memes, jokes, or context-less images. If the FAQ doesn't answer your question, you can ask your question as a comment in the 'No Stupid Questions' post. What's a good keyboard / piano to purchase?.How do I find sheet music to this song?.Can someone write out the notes to this song?.What is the make or model of my used piano?.The following list of commonly-asked questions have been linked to the appropriate sections of the FAQ: read the FAQ Newest Comments | Participate! Piano Jam | 'No Stupid Questions'Ĭommon generic questions should be asked in the 'No Stupid Questions' post. To summarize, Xu Zhimo facilitated an essential return of the literariness and musicality of the New Poetry, which well deserves his followers' succeeding and carrying forward.Welcome to /r/piano! Whether you're an absolute beginner or a seasoned professional, we hope you've come to talk about pianos. This paper tends to elaborate on the origin of his musicality and musical poetics based on the practical interpretation of various examples, and consequently to verify and rethink the musicality of the New Poetry in a world context of musical poetry. It is therefore argued that musicality has characterized the most important features of his poetry, which is most obviously manifested as recapitulation of the art of music mainly including full recapitulation, partial recapitulation, variant recapitulation and their synthetic application. But Xu Zhimo is an exception in that he made some effective and innovative transformation of the musicality of the poetry both at home and abroad by means of an integration of reading, translation and writing. Apart from its shallow poetic imagery due to the vernacular and transparent language, a main reason why the New Poetry has been widely criticized since the May 4th Movement lies in the lack of musicality, more obvious when compared with Chinese classical poetry.
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